5 thoughts on “The traditional Chinese costumes have a long history and culture. What are the specific origin and characteristics?”
Marc
[Origin] Hanfu, also known as the Han Yi Crown, the traditional costumes of the Chinese Han nationality, also known as Han costumes and Chinese clothing, from the ascendant of the Huangdi (about 2698 BC) to the late Ming Dynasty (the middle of the 17th century). In China, centered on the culture of Huaxia etiquette, and formed a thousand -year -old etiquette crown system through the Han Dynasty to admire the etiquette and the law of the world. Since the clothes of Huangdi, Yao, and Shun Chung, the world has been ruled by the world. Hanfu has a basic form. After the inheritance of the law and law of the Zhou Dynasty, it has formed a comprehensive clothing system and popularized to the people. It has also affected the entire Han culture through Confucianism and the Chinese law system lock up. Han people, Hanfu, Chinese, and Han customs are named. Japan, North Korea, and Vietnam have promulgated the legal imitation of the Hanwear crown system. [Features] intersection, right 衽, lace [Function] Hanfu is a traditional national costume that has been inherited for more than 4,000 years in the Han nation. "" Shang Shu "," Zhou Li "," Book of Rites "," Book of Changes "," Spring and Autumn ", Datang" Kaiyuan Rites ", 24 Historian service and other historical collection of etiquette culture composition. The Hanfu system shows the grade culture of Huaxia civilization, relative culture, political culture, light and lightness, heavy and young, and Confucianism. In the context of ancient Chinese ancestors, clothing has the functions of prestige, distinguishing, and not expensive and cheapness, and is a dress of Ji Li, Calfs, Binli, Junli, and Jiali. Except for the etiquette of national affairs, the ceremony of ordinary Han people includes four ceremonies. The Four Books and Five Classics have a detailed description of Hanfu dresses.
. The origin of Hanfu
Hansing Hanfu is one of the oldest national costumes in the world.
Is before the age of archeological physical support, the earliest appearance of Hanfu should be the Yin and Shang Dynasty.
about 5,000 years ago, China had produced primitive agriculture and textile industries during the Yangshao culture period of the Neolithic Age, and began to make clothes with woven linen. Hehe -spinning, people's clothing and clothing are complete. After Yin Shang, the crown service system was initially established. In the Western Zhou Dynasty, the clothing system gradually formed. In the late Zhou Dynasty, due to the rapid changes in politics, economy, and ideological and culture, especially the doctrine of the doctrine had a certain impact on the improvement of clothing, the clothing and customs and customs of the vassal states began to be significantly different. And create deep clothes. The crown service system has been incorporated into the scope of "ritual" and has become an expression of etiquette. Since then, China's clothing is more detailed. Objectively, the ethnic costumes of the Han people in some historical stages, such as the Sinicization Flag/Cheongsam/Malaysia, must not be called "Hanfu" because they have no normal evolution process with the real Hanfu.
. The five basic characteristics of Hanfu
(1) historic
although the violence of shaving and easy to serve has disappeared, Hanfu tends to tend Revival, but it is no longer possible to become a common service. Because, in order to reduce the resistance of exchanges, the backward nation's habit changes the appearance according to the habit of developed nations.
(2) Inheritance
The inheritance is inheritance. In this long period of time, the development of Hanfu history has always followed the characteristics of generations and the characteristics of the world, which reflects the inheritance of Hanfu's historical development.
(3) Diversity is the same as the same
D diversity and the same nature refers to the diversity of Hanfu style as the same nature of the Hanfang type (or style). As a thing with a history of thousands of years, Hanfu has never been a style, "top clothes", "deep clothes", "skirt" and other colorful styles reflect the diversity of long -term national costumes. Essence Although Hanfu has always been rich in styles, the basic form (or style) of Hanfu is "intertwined right, no buttons, and the tie tie with rope" is characterized by eternity. This is the same nature of Hanfu. The unity of the same nature and diversity is a major feature of Hanfu.
(4) Completion
The completion is the completeness of Hanfu's own internal system. After thousands of years of development, Hanfu is already a mature clothing. It is not only rich in internal types, exquisite craftsmanship, but also very many accessories for Hanfu.
(5) Phase integration
The phase merit refers to the integration of Hanfu and traditional culture. Hanfu has been regarded as authentic traditional culture to a large extent The symbol, and Hanfu itself reflects traditional culture. Hanfu and traditional culture are harmonious family.
. The role of Hanfu: Hanfu is a clothing or the manifestation of the Han culture
In a part of the Chinese ethnic groups, in addition to 55 more Han ethnic minorities in families in the world. Ethnic costumes and Chinese national clothing parades. Therefore, it is necessary to conduct some general characteristics of Chinese national costumes.
The country is a unified multi -ethnic country. As early as half a century ago, Comrade Mao Zedong "said:" China is the world's largest country in the Chinese Revolution and the Communist Party of China. Its territory and the entire European area are almost equal to the entire territory of its territory. Above this vast territory, most of the fertile soil, giving us the sources of mountains across the country in terms of food and clothes size. Most of the growing forests accumulated rich minerals. Give us overseas countries with convenient transportation. From an ancient ancestor, our country began to work early, giving birth, and breeding on this vast land. "After the founding of the People's Republic of China, after
Achang
The scientific appraisal of a total of 56 nations is: Han, Mongolia, Back, Tibetan, Uyghur, Uyghur , Miao, Yi, Zhuang, Buyi, North Korea, Manchu, Man, 侗, Yao, Bai, Tujia, Hani, Kazakhstan, Dai, Li, 佤, 畲, Qi Mountain, La Ling, Water, Dongxiang, Naxi, Korikz, Earth, Turkey, Turkish , Daur, Gelao, 羌, Brown, Sarah, Mao Nan, 仡 ，, Siber, Achang, Pumik, Tagik, Angry, Uzbek, Russia, Ewenki, De Ang, security, Yugu, Beijing, Tattar Dulong, Tattar Dulong, Dalong, Tatal, Ole Chun, Hezhe, Menba, Labba, Kino Games. There are some excellent people's ethnic groups identify with the society. According to the statistics of the population census in 1982, in 55 ethnic minorities, the most populated Zhuang people, about 1338 Yi, Miao, Manchu, Tibetan, Mongolian, about 50, Tujia, Buyi, North Korea, Dong Yao, Bai, Hani 14 national population in the Herzhe people with at least one million people, only 1476 people. What about the total area of ethnic minorities in China? Distribution? -60 % of the vast areas, especially in the southwest, northwest and northeast border areas. They provide their own culture for the independence and prosperity of the motherland. R n The ethnic groups formed China. During the differentiation or integration of at least two thousand years, the name of the tribe has appeared in the classics of ancient Chinese in ancient China, "Xu," 嘀 "," Jingjing, "Jingjing People "," barbaric "," Zhu Pu "why the cultural history of all ethnic groups was Baiyue" believes that China was a feudal autocracy of the Qin Dynasty in a multi -ethnic country before Qin, and established such a multi -ethnic country. Under the highly unified central government. China has a long -term development,
55 Chinese ethnic minorities live in 70 % of the country, including clothing Culture. The content is very rich and endless, and the clothes that are inexhaustible with resources. Some of the 2,000 counties in some minority counties are widely distributed. There are many branches, such as the Miao people are divided into five types of red seedlings, black seedlings, white seedlings, and white seedlings. Green seedlings, flower seedlings, and small saplings, including a large number of seedlings, long -horn seedlings, Mengyan seedlings, flower feet seedlings, and starting the clothing artist. As a result, not only with different clothing, but also in the same national bloodline, different ones, different ones, different ones, different ones, different ones, different ones, different ones, different ones. The nation has different clothing, and the costumes of ethnic minorities in China are very rich.
In the past, more limited black and blue clothing Korean, Chinese town and rural residents, accounted for the vast majority of Chinese population, some of them The nation also advocates black blue and is nicknamed "the country of blue ants. In fact, if there are a few colorful clothing, the country's "blue ant" call is not practical. China's minority clothing is very rich in terms of quality, appearance, and in terms of style, and in terms of style. There are 24 ethnic minorities in Yunnan Province. The first national art festival was held in September 1988. Thousands of ethnic minority art teams and thousands of ethnic minority clothing performances surprised foreign guests. The theme "Sun and Moon, Wind, Fire, the Nationally Clothing and Poetic Nights launched by the Kunming National Song and Dance Troupe," Spring Glory "Summer Rongrong", "Qiu Shuang", "Winter Fire Bear Show the above four scenes More than 300 sets of national costumes, there are many varieties, the styles are wonderful, and the fan of the pattern is scared of unanimous praise. In the short one and a half hour performance, it is convincing to prove: "The ocean in Yunnan is not only a dance dance The ocean of minority clothing, which is a microcosm of the Chinese nation.
Secondly, due to the differences in the natural environment and national customs and traditions, Chinese minority clothing with different aesthetics shows a huge difference in the north and the south, mountains and grasslands, showing different styles and characteristics Essence Different
The cold and snowstorms in the north and south of natural conditions. Many people living in the northern ethnic minorities northern of the forest and grassland live in the hot and humid, rainy mountain basin white ethnic minority people who are engaged in farming. Living in the middle. Different natural environments, production methods and life models, in different national character and national psychology, animal husbandry; also caused different styles of clothing and clothing characteristics, Mongolia, Tibet, Kazakh, Kirgiz, Tagik, Yugu, soil and other minority minorities The ethnic groups live in the plateau pasture and engage in animal husbandry. Animal fur, wearing most of clothes, pants, landscape boards, landscape boards, and collar, cuffs, skirts, or fine fur. The Tibetan and Korgizi robes and skirts with precious fur fur are thick. Grace is thick and thick with KOOP with Kazakhstan. Camel velvet coats are very light and warm. Their style of their clothing is wide robes and big sleeves, thick and solemn.
The main materials for planting the clothing of twisted hemp and soil cloth in the southern ethnic minority areas. Above the tools used are simple, but exquisite fabrics, patterns and strange and beautiful. In the hot and humid weather, the clothes with open -chest and exposed legs are also shorter and narrow style, which is more lively, similar to various similarity. In short, different styles, different characteristics are very prominent, another characteristic of ethnic clothing.
Third, due to various history, geography, politics, and economic reasons, until the middle of this century, Chinese ethnic minorities are still at different social development stages. The difference is very profound, and it has not been fully overcome, which is manifested in the cultural connotation of ethnic minority clothing. There is a significant level.
The minority ethnic minorities due to various history, geography, political and economic reasons. Before liberation, some had the germination of capitalism, and some still stayed in the final performance of the original commune. balance. In this regard, ethnicists call it "the development of the living historical society in Yunnan Province as a typical representative. The Yi people of the ethnic minorities of Yunnan, white, back and capitalist factors have been developed. , Most of the Naxi, Bai, Yi and other ethnic groups have entered the feudal landlord system, wearing input. The feudal lord of the system, Xiaoyi is a more typical slavery, Kano, Brown, Jing Po, Dulong, Angry, Ling, and the Lord. A part of the Dai people, but still a considerable minority stay, Yongning in the original commune final; the Naxi family (Mosuo) maintains the mother -in -law. In other ethnic minority provinces, this situation also exists varying degrees. It just does not like the integrity and typical of Yunnan. In this way, there is also a level to reflect the cultural content of the costumes of ethnic minorities. At the same time, the degree of resistance to medication also determines the level of culture of ethnic minorities. The excellence of ethnic minority clothing in all "original ecology" is a concrete manifestation of primitive culture, which is obviously inconsistent with the facts. The hierarchical structure of ethnic minority clothing should be analyzed according to the actual situation.
The fourth fourth The modernization process and reform requirements of the overall social influence faced by ethnic minorities, and some traditional clothing has changed. Therefore, on the one hand, the clothing resources to be saved, and on the other hand The reform of clothing should not only maintain the costumes of national traditions and cultural characteristics, but also meet the needs of modern production and life. , Since the Third Plenary Session of the Eleventh Central Committee of the Communist Party of China, the lifestyle of the people of the country has brought tremendous changes. The development of the commodity economy has been closed behind the ethnic minority mountainous areas and from various information, including many modern trends. In this case, Chinese national costumes are facing a huge impact. Some national clothing auxiliary materials, cumbersome decoration, complicated craftsmanship, difficulty in making, inconvenient wear, and difficult to wash. Even the ethnic clothing that has been watched. In this case, on the one hand, actively rescue the rescue of ethnic minority clothing resources to avoid the disappearance of some distinctive national costume culture; The new
on the basis of the new n of ethnic costumes of the people, organizing experts, scholars, and fashion designers in the masses. The basic characteristics of clothing, hard work, simple operation, applicable, convenient production and life, which facilitates large -scale machine production in the future to meet the needs of modern construction. It can The problem, but the national costumes at this stage also have a characteristic.
Fifth, Chinese national costumes lack scientific research for a long time. R n when it is a long period of time In the middle, China's academic research, national politics, national economic and national policy research, as a "second sex" issue, accounting for the national culture emphasized. The research of national clothing, let alone: Maybe, when the country needs to identify the survey clothing, maybe, to talk about the lifestyle of a country's clothing list, perhaps because of personal interests, personal researchers specialize in research. Therefore, one of the intuitive, scattered, non -theoretical state in national costumes, but lack of clothing information summary and theoretical sublimation, many problems lack scientific and systematic research. Therefore, we look forward to the theoretical summary of Chinese national costumes and the accumulation of theoretical summary theory, so some theoretical innovation and breakthroughs. This is not only the disciplines of cultural research, literary theory, aesthetics, ethnology, anthropology, sociology, social psychology, etc., but also require the research and construction of socialist modernization and dress reform. Because of this, we can only believe in such a national costume parade.
The characteristic analysis of national clothing jewelry
The so -called jewelry, generally refers to decorations and decorations attached to the body except clothing, such as headdress, hair accessories, earrings, earrings, earrings, earrings, earrings, earrings, earrings, earrings, earrings, earrings, earrings, earrings, earrings, earrings, earrings, earrings, earrings, earrings, earrings, earrings, earrings, earrings, earrings, earrings, earrings, earrings, earrings, earrings, earrings, earrings Tripsticks, chest ornaments, arm ornaments, wrists, jewelry, belt buckle, waist, foot decoration, hips, towels, handkerchiefs, fans, packaging, swords and other accessories. The concentration reflects the essence of Chinese minority clothing with its own unique jewelry. From this we can better taste the form of national clothing beauty and the history and culture of the nation. Jewelry of the characteristics and significance of the national service can be analyzed from the following three aspects.
The overall
1, the unified form is beautiful.
The ethnic clothing, a complete form of beauty of clothes and jewelry. The shape and color of a small number of accessories plays an important role in the formation of the overall beauty of the clothing. The shape is generally large and prominent. The role of emphasis and the contrasting color often plays an overall match. Such as the black basic men's dress wearing black trousers, black shawls (tea second baby), left ear wearing embroidered red silk beeswax emerald beads, large bracelets with silver wrist, and black cloth heroes above the head. The slender cone hero, the expansion of Gao Ba, coupled with the shoulders "Tea Erwa set off a very brave of the Yi family. At the junction of the right side, the left ear of the heroes, and the large earrings form asymmetric symmetry. , But the balance between red and yellow earrings also plays a role in embellishment and emphasizes.
2 decorative unity.
decorative jewelry Function. The national jewelry behind the overall development of aesthetic demand, such as the headdress Mongolia, is hidden in the body decoration, and many other countless
The girl with a tight -body corset has a significant decorative apron, which is colorful, divided into two parts, with silver bubbles on the top, surrounding lace competition apron, and at least 200 in the lower lines of the lace flower. More than $ 684. Every festival, girls 'women tie the silver bubble tight -fitting corset and dance singing competition, silver is flickering, dazzling, and different style. Aquarians' embroidered waist to break the black and blue tone of the aquarium clothing means very significant .
The unity of practicality. Age
Moles of minority uniforms are often closely related, with their work and life, therefore, there are also one type of clothing, such as shawls, back pads, back pads So the hands and body that it often goes in, in fact, has become a very important part of the national costume-like it, whether it is the actual or aesthetic jewelry, can be divided into unique Dragon Major blankets. A special symbol, a colorful linen shoulder slope made of Dulong River carpet put on the knee. It is wild, unruly and quaint and primitive. It has the Naxi sheepskin shawl, which is easy to insert Erwa's "practical decorative effect Essence
The cultural analysis of national jewelry in society and folk cultural characteristics.
This Chinese ethnic minorities have basically maintained the national awareness of primitive worship. The descendants of Miao eat, because of the wisdom love cattle, the most typical head jewelry of the Miao family appeared from the grass. Gao Dan proposed the color and beauty symbol of the Miao cow worship of the Miao female silver -horn headdress of the Miao female silver -horn headdress: wearing silver bubbles, silver slices of silver crown, but also connected together, like a huge " The two silvers of the word U ". Every corner of the carving dragon leads to the inward: the trend of the two dragon drama beads. The silver of these two silver horns. It reflects the rich national style and ancient cultural traditions, and the combination of worship totem culture and farming culture.
The ritual is an important social activity many ethnic minorities. Ceremony activities require a large number of props, clothing, especially the most powerful props and substance entities. The special and mysterious clothing reflected in the important role of the shaman ritual of the image often requires a mysterious mask and exaggerated headgear. Folk ritual activities have evolved into a social activity, while the protagonists are young men and women in such social activities. The exchanges and songs of men and women of ethnic minorities began to develop to the token of the other party. The token is often a belt, handkerchief, wallet and other portable jewelry.
This sheepskin shawls of Naxi women are the most exquisite and richest cultural content. The main body of the Naxi women is unusual clothes, lacking decoration, and the most distinctive jewelry as Naxi cultural customs as a back -cooked pads sheepskin shawl. The Naxi people are a country that advocates culture. The main undertaking of culture is men. Men's general family study scriptures. They are large, small, and are mainly borne by women. Become a woman's main accessories, an apron, shawl, and the Naxi women in the sheepskin, with two large circular ornaments, representing the sun and the moon, the seven small shape below, named Qixing. On the one hand, the symbol of the worship of sheepskin frogs, the two large rounds of the eyes of Golden Frog have the symbol of Dongba culture. Naxi women's hard work, wisdom character and virtue.
The national costume
The national culture and national development of images民族的象征双方的配件和区域分析。rnrn 1和象征。服装往往反映了水平的差异在阶级社会中，还有一些特殊的想法？财产。随着社会的发展，阶级Differential, the symbolic meaning of gradually eliminating the accessories of accessories is still very significant.
The example, the traditional Tibetan trim, depends on the ideas, social forms, and traditional production of Tibet Methods and lifestyle, especially the traditional nomadic lifestyle. The nomadic life of the entire family even needs to be transformed into the bead embroidery covered by several generations. . The wrapping of traditional Tibetan national costumes is not only clothing decoration, but also a great property, showing that it is not only beautiful, but also symbolizes luxury and richness. . Each Gaoshan tribe exchange for silver coins, and later married the silver ring, and then from then on the helmet, the legend of the father and son, the heirs who were inherited from generation to generation must increase at least one yin deficiency circle. Silver helmet, therefore, wealth The accumulation is a record, it is a symbol of hard work, frugality, and ability.
This girls are often two, three pounds, and the whole body is shining. On the one hand, the girl is beautiful The excellent, on the other hand, the prosperity of the family. Special accessories in the environment maintain the development of regional characteristics to varying degrees. Even in the same nation, living in different regions have different performances.
Change constitutes a closed natural environment, in the form of various clan service systems. Even if it is hundreds of miles apart, there are different clothes and many silver, but the same shape, pattern, etc. Chicken feathers; scattering the cadre -shaped silver angle, the butterflies on the top. In different regional accessories totem worship and cultural customs. Inspiration in the form of modern clothing/> One of their clothing part of their clothing not only has strong decorative alternative materials, adding it is a wide range of functions, which seems to be very practical, lack of one. On the other hand, they invest in service, ethnic, historical, symbolic love. The national costumes adding colorful national costumes, becoming the essence of national clothing, the nation of clothing decoration jewelry Clothing is a function. Since the 1960s, the rising hippie style and the national style have been ignited again. In recent years, the enhancement of accessories and clothing style has become more and more prominent. Inlaid with mottled surfaces and old, coral skeletons, silver hidden jewelry, pure natural gemstones, such as materials exuding rich ancient, simple, modern fashion and exotic style. From our colorful national costumes, we should further tap design inspiration to create a new trend line style and new mixed formal national style, and will inherit and carry forward the Chinese national style.
Clothing is the external characteristics of a nation, so the cultural characteristics reflected by the clothing of different ethnic groups are also different. After thousands of years of glorious development, the connotation of Chinese traditional clothing culture is extremely colorful. However, from a macro perspective, the most representative is the three connotations of the "harmonious and unified" culture, "marking prominentness" culture and "diversity" culture.
The harmonious unity culture is the essence of traditional Chinese clothing culture. Throughout the history of the development of clothing in China for thousands of years, harmonious coordination and rules are the true meaning of its culture. Since the birth of Chinese clothing, it has been following the unity of physical heating and aesthetic performance, identification display and symbolic expression, outstanding personality and celebration auspiciousness, to maximize the harmony and coordination of clothing and nature, clothing and society, clothing and people. The beauty of integration and unified imagery is the most precious quality of traditional Chinese clothing culture.
Themark culture is the most basic element of traditional Chinese clothing culture. This element is mainly manifested in people in the long -term production practice and social practice of the grade, inferiority marks, industry occupational labels, behavioral moral signs, and age structure gender in the expression of clothing intentions. From the labeling of the original tribe leader and hunting skills clothing to the official uniforms of the feudal emperor, from the labeling of civilian military officers to the labeling of modern military uniforms and professional clothing, from the ritual system often served in the government system to today's casual clothes, evening dresses, etc. It highlights its prominent cultural connotation. The logo shows that it is not only a "system" (legal system) requirement, but also as a specification of social ethics. This idea of the clothing identification function has been pushed to a very popular culture, and it has also greatly promoted the development of traditional Chinese clothing culture. It can be asserted that without the guarantee of the thousand -year -old social crown service system, the honor of the "crown crown" is impossible.
The diverse culture is another characteristic of traditional Chinese clothing culture. From a vertical perspective, there are large differences in Chinese clothing culture. As far as the trajectory of the "institutional form" evolving in the form of class society in the form of class society in the past three thousand years, Zhou Li and Hanfu are different; the Tang system and the clearing system are also large. Basically, each dynasty has its own clothing system. With its specific etiquette requirements. From the horizontal perspective, due to the large area of China and many ethnic groups, its pursuit of clothing style, taboos of clothing color, technical level of clothing materials, and different time, different locations and places of clothing are In terms of image expression, there are great differences, and sometimes it also reflects great opposition. This diversity reflects not only the rich and colorful Chinese clothing culture, but also the different characteristics of other countries.
Origin: Ethnic clothing is formed in a specific social life and natural environment. It is in line with the living habits and aesthetic consciousness of the nation Trisement: abstract design, more distinctive, more exaggerated, stronger, and more freedom, as well as freedom.
[Origin] Hanfu, also known as the Han Yi Crown, the traditional costumes of the Chinese Han nationality, also known as Han costumes and Chinese clothing, from the ascendant of the Huangdi (about 2698 BC) to the late Ming Dynasty (the middle of the 17th century). In China, centered on the culture of Huaxia etiquette, and formed a thousand -year -old etiquette crown system through the Han Dynasty to admire the etiquette and the law of the world. Since the clothes of Huangdi, Yao, and Shun Chung, the world has been ruled by the world. Hanfu has a basic form. After the inheritance of the law and law of the Zhou Dynasty, it has formed a comprehensive clothing system and popularized to the people. It has also affected the entire Han culture through Confucianism and the Chinese law system lock up. Han people, Hanfu, Chinese, and Han customs are named. Japan, North Korea, and Vietnam have promulgated the legal imitation of the Hanwear crown system.
[Features] intersection, right 衽, lace
[Function] Hanfu is a traditional national costume that has been inherited for more than 4,000 years in the Han nation. "" Shang Shu "," Zhou Li "," Book of Rites "," Book of Changes "," Spring and Autumn ", Datang" Kaiyuan Rites ", 24 Historian service and other historical collection of etiquette culture composition. The Hanfu system shows the grade culture of Huaxia civilization, relative culture, political culture, light and lightness, heavy and young, and Confucianism. In the context of ancient Chinese ancestors, clothing has the functions of prestige, distinguishing, and not expensive and cheapness, and is a dress of Ji Li, Calfs, Binli, Junli, and Jiali. Except for the etiquette of national affairs, the ceremony of ordinary Han people includes four ceremonies. The Four Books and Five Classics have a detailed description of Hanfu dresses.
. The origin of Hanfu
Hansing Hanfu is one of the oldest national costumes in the world.
Is before the age of archeological physical support, the earliest appearance of Hanfu should be the Yin and Shang Dynasty.
about 5,000 years ago, China had produced primitive agriculture and textile industries during the Yangshao culture period of the Neolithic Age, and began to make clothes with woven linen. Hehe -spinning, people's clothing and clothing are complete. After Yin Shang, the crown service system was initially established. In the Western Zhou Dynasty, the clothing system gradually formed. In the late Zhou Dynasty, due to the rapid changes in politics, economy, and ideological and culture, especially the doctrine of the doctrine had a certain impact on the improvement of clothing, the clothing and customs and customs of the vassal states began to be significantly different. And create deep clothes. The crown service system has been incorporated into the scope of "ritual" and has become an expression of etiquette. Since then, China's clothing is more detailed. Objectively, the ethnic costumes of the Han people in some historical stages, such as the Sinicization Flag/Cheongsam/Malaysia, must not be called "Hanfu" because they have no normal evolution process with the real Hanfu.
. The five basic characteristics of Hanfu
(1) historic
although the violence of shaving and easy to serve has disappeared, Hanfu tends to tend Revival, but it is no longer possible to become a common service. Because, in order to reduce the resistance of exchanges, the backward nation's habit changes the appearance according to the habit of developed nations.
(2) Inheritance
The inheritance is inheritance. In this long period of time, the development of Hanfu history has always followed the characteristics of generations and the characteristics of the world, which reflects the inheritance of Hanfu's historical development.
(3) Diversity is the same as the same
D diversity and the same nature refers to the diversity of Hanfu style as the same nature of the Hanfang type (or style). As a thing with a history of thousands of years, Hanfu has never been a style, "top clothes", "deep clothes", "skirt" and other colorful styles reflect the diversity of long -term national costumes. Essence Although Hanfu has always been rich in styles, the basic form (or style) of Hanfu is "intertwined right, no buttons, and the tie tie with rope" is characterized by eternity. This is the same nature of Hanfu. The unity of the same nature and diversity is a major feature of Hanfu.
(4) Completion
The completion is the completeness of Hanfu's own internal system. After thousands of years of development, Hanfu is already a mature clothing. It is not only rich in internal types, exquisite craftsmanship, but also very many accessories for Hanfu.
(5) Phase integration
The phase merit refers to the integration of Hanfu and traditional culture. Hanfu has been regarded as authentic traditional culture to a large extent The symbol, and Hanfu itself reflects traditional culture. Hanfu and traditional culture are harmonious family.
. The role of Hanfu:
Hanfu is a clothing or the manifestation of the Han culture
The general characteristics of national clothing
In a part of the Chinese ethnic groups, in addition to 55 more Han ethnic minorities in families in the world. Ethnic costumes and Chinese national clothing parades. Therefore, it is necessary to conduct some general characteristics of Chinese national costumes.
The country is a unified multi -ethnic country. As early as half a century ago, Comrade Mao Zedong "said:" China is the world's largest country in the Chinese Revolution and the Communist Party of China. Its territory and the entire European area are almost equal to the entire territory of its territory. Above this vast territory, most of the fertile soil, giving us the sources of mountains across the country in terms of food and clothes size. Most of the growing forests accumulated rich minerals. Give us overseas countries with convenient transportation. From an ancient ancestor, our country began to work early, giving birth, and breeding on this vast land. "After the founding of the People's Republic of China, after
Achang
The scientific appraisal of a total of 56 nations is: Han, Mongolia, Back, Tibetan, Uyghur, Uyghur , Miao, Yi, Zhuang, Buyi, North Korea, Manchu, Man, 侗, Yao, Bai, Tujia, Hani, Kazakhstan, Dai, Li, 佤, 畲, Qi Mountain, La Ling, Water, Dongxiang, Naxi, Korikz, Earth, Turkey, Turkish , Daur, Gelao, 羌, Brown, Sarah, Mao Nan, 仡 ，, Siber, Achang, Pumik, Tagik, Angry, Uzbek, Russia, Ewenki, De Ang, security, Yugu, Beijing, Tattar Dulong, Tattar Dulong, Dalong, Tatal, Ole Chun, Hezhe, Menba, Labba, Kino Games. There are some excellent people's ethnic groups identify with the society. According to the statistics of the population census in 1982, in 55 ethnic minorities, the most populated Zhuang people, about 1338 Yi, Miao, Manchu, Tibetan, Mongolian, about 50, Tujia, Buyi, North Korea, Dong Yao, Bai, Hani 14 national population in the Herzhe people with at least one million people, only 1476 people. What about the total area of ethnic minorities in China? Distribution? -60 % of the vast areas, especially in the southwest, northwest and northeast border areas. They provide their own culture for the independence and prosperity of the motherland. R n
The ethnic groups formed China. During the differentiation or integration of at least two thousand years, the name of the tribe has appeared in the classics of ancient Chinese in ancient China, "Xu," 嘀 "," Jingjing, "Jingjing People "," barbaric "," Zhu Pu "why the cultural history of all ethnic groups was Baiyue" believes that China was a feudal autocracy of the Qin Dynasty in a multi -ethnic country before Qin, and established such a multi -ethnic country. Under the highly unified central government. China has a long -term development,
55 Chinese ethnic minorities live in 70 % of the country, including clothing Culture. The content is very rich and endless, and the clothes that are inexhaustible with resources. Some of the 2,000 counties in some minority counties are widely distributed. There are many branches, such as the Miao people are divided into five types of red seedlings, black seedlings, white seedlings, and white seedlings. Green seedlings, flower seedlings, and small saplings, including a large number of seedlings, long -horn seedlings, Mengyan seedlings, flower feet seedlings, and starting the clothing artist. As a result, not only with different clothing, but also in the same national bloodline, different ones, different ones, different ones, different ones, different ones, different ones, different ones, different ones. The nation has different clothing, and the costumes of ethnic minorities in China are very rich.
In the past, more limited black and blue clothing Korean, Chinese town and rural residents, accounted for the vast majority of Chinese population, some of them The nation also advocates black blue and is nicknamed "the country of blue ants. In fact, if there are a few colorful clothing, the country's "blue ant" call is not practical. China's minority clothing is very rich in terms of quality, appearance, and in terms of style, and in terms of style. There are 24 ethnic minorities in Yunnan Province. The first national art festival was held in September 1988. Thousands of ethnic minority art teams and thousands of ethnic minority clothing performances surprised foreign guests. The theme "Sun and Moon, Wind, Fire, the Nationally Clothing and Poetic Nights launched by the Kunming National Song and Dance Troupe," Spring Glory "Summer Rongrong", "Qiu Shuang", "Winter Fire Bear Show the above four scenes More than 300 sets of national costumes, there are many varieties, the styles are wonderful, and the fan of the pattern is scared of unanimous praise. In the short one and a half hour performance, it is convincing to prove: "The ocean in Yunnan is not only a dance dance The ocean of minority clothing, which is a microcosm of the Chinese nation.
Secondly, due to the differences in the natural environment and national customs and traditions, Chinese minority clothing with different aesthetics shows a huge difference in the north and the south, mountains and grasslands, showing different styles and characteristics Essence Different
The cold and snowstorms in the north and south of natural conditions. Many people living in the northern ethnic minorities northern of the forest and grassland live in the hot and humid, rainy mountain basin white ethnic minority people who are engaged in farming. Living in the middle. Different natural environments, production methods and life models, in different national character and national psychology, animal husbandry; also caused different styles of clothing and clothing characteristics, Mongolia, Tibet, Kazakh, Kirgiz, Tagik, Yugu, soil and other minority minorities The ethnic groups live in the plateau pasture and engage in animal husbandry. Animal fur, wearing most of clothes, pants, landscape boards, landscape boards, and collar, cuffs, skirts, or fine fur. The Tibetan and Korgizi robes and skirts with precious fur fur are thick. Grace is thick and thick with KOOP with Kazakhstan. Camel velvet coats are very light and warm. Their style of their clothing is wide robes and big sleeves, thick and solemn.
The main materials for planting the clothing of twisted hemp and soil cloth in the southern ethnic minority areas. Above the tools used are simple, but exquisite fabrics, patterns and strange and beautiful. In the hot and humid weather, the clothes with open -chest and exposed legs are also shorter and narrow style, which is more lively, similar to various similarity. In short, different styles, different characteristics are very prominent, another characteristic of ethnic clothing.
Third, due to various history, geography, politics, and economic reasons, until the middle of this century, Chinese ethnic minorities are still at different social development stages. The difference is very profound, and it has not been fully overcome, which is manifested in the cultural connotation of ethnic minority clothing. There is a significant level.
The minority ethnic minorities due to various history, geography, political and economic reasons. Before liberation, some had the germination of capitalism, and some still stayed in the final performance of the original commune. balance. In this regard, ethnicists call it "the development of the living historical society in Yunnan Province as a typical representative. The Yi people of the ethnic minorities of Yunnan, white, back and capitalist factors have been developed. , Most of the Naxi, Bai, Yi and other ethnic groups have entered the feudal landlord system, wearing input. The feudal lord of the system, Xiaoyi is a more typical slavery, Kano, Brown, Jing Po, Dulong, Angry, Ling, and the Lord. A part of the Dai people, but still a considerable minority stay, Yongning in the original commune final; the Naxi family (Mosuo) maintains the mother -in -law. In other ethnic minority provinces, this situation also exists varying degrees. It just does not like the integrity and typical of Yunnan. In this way, there is also a level to reflect the cultural content of the costumes of ethnic minorities. At the same time, the degree of resistance to medication also determines the level of culture of ethnic minorities. The excellence of ethnic minority clothing in all "original ecology" is a concrete manifestation of primitive culture, which is obviously inconsistent with the facts. The hierarchical structure of ethnic minority clothing should be analyzed according to the actual situation.
The fourth fourth The modernization process and reform requirements of the overall social influence faced by ethnic minorities, and some traditional clothing has changed. Therefore, on the one hand, the clothing resources to be saved, and on the other hand The reform of clothing should not only maintain the costumes of national traditions and cultural characteristics, but also meet the needs of modern production and life. , Since the Third Plenary Session of the Eleventh Central Committee of the Communist Party of China, the lifestyle of the people of the country has brought tremendous changes. The development of the commodity economy has been closed behind the ethnic minority mountainous areas and from various information, including many modern trends. In this case, Chinese national costumes are facing a huge impact. Some national clothing auxiliary materials, cumbersome decoration, complicated craftsmanship, difficulty in making, inconvenient wear, and difficult to wash. Even the ethnic clothing that has been watched. In this case, on the one hand, actively rescue the rescue of ethnic minority clothing resources to avoid the disappearance of some distinctive national costume culture; The new
on the basis of the new
n of ethnic costumes of the people, organizing experts, scholars, and fashion designers in the masses. The basic characteristics of clothing, hard work, simple operation, applicable, convenient production and life, which facilitates large -scale machine production in the future to meet the needs of modern construction. It can The problem, but the national costumes at this stage also have a characteristic.
Fifth, Chinese national costumes lack scientific research for a long time. R n
when it is a long period of time In the middle, China's academic research, national politics, national economic and national policy research, as a "second sex" issue, accounting for the national culture emphasized. The research of national clothing, let alone: Maybe, when the country needs to identify the survey clothing, maybe, to talk about the lifestyle of a country's clothing list, perhaps because of personal interests, personal researchers specialize in research. Therefore, one of the intuitive, scattered, non -theoretical state in national costumes, but lack of clothing information summary and theoretical sublimation, many problems lack scientific and systematic research. Therefore, we look forward to the theoretical summary of Chinese national costumes and the accumulation of theoretical summary theory, so some theoretical innovation and breakthroughs. This is not only the disciplines of cultural research, literary theory, aesthetics, ethnology, anthropology, sociology, social psychology, etc., but also require the research and construction of socialist modernization and dress reform. Because of this, we can only believe in such a national costume parade.
The characteristic analysis of national clothing jewelry
The so -called jewelry, generally refers to decorations and decorations attached to the body except clothing, such as headdress, hair accessories, earrings, earrings, earrings, earrings, earrings, earrings, earrings, earrings, earrings, earrings, earrings, earrings, earrings, earrings, earrings, earrings, earrings, earrings, earrings, earrings, earrings, earrings, earrings, earrings, earrings, earrings, earrings, earrings, earrings, earrings Tripsticks, chest ornaments, arm ornaments, wrists, jewelry, belt buckle, waist, foot decoration, hips, towels, handkerchiefs, fans, packaging, swords and other accessories. The concentration reflects the essence of Chinese minority clothing with its own unique jewelry. From this we can better taste the form of national clothing beauty and the history and culture of the nation. Jewelry of the characteristics and significance of the national service can be analyzed from the following three aspects.
The overall
1, the unified form is beautiful.
The ethnic clothing, a complete form of beauty of clothes and jewelry. The shape and color of a small number of accessories plays an important role in the formation of the overall beauty of the clothing. The shape is generally large and prominent. The role of emphasis and the contrasting color often plays an overall match. Such as the black basic men's dress wearing black trousers, black shawls (tea second baby), left ear wearing embroidered red silk beeswax emerald beads, large bracelets with silver wrist, and black cloth heroes above the head. The slender cone hero, the expansion of Gao Ba, coupled with the shoulders "Tea Erwa set off a very brave of the Yi family. At the junction of the right side, the left ear of the heroes, and the large earrings form asymmetric symmetry. , But the balance between red and yellow earrings also plays a role in embellishment and emphasizes.
2 decorative unity.
decorative jewelry Function. The national jewelry behind the overall development of aesthetic demand, such as the headdress Mongolia, is hidden in the body decoration, and many other countless
The girl with a tight -body corset has a significant decorative apron, which is colorful, divided into two parts, with silver bubbles on the top, surrounding lace competition apron, and at least 200 in the lower lines of the lace flower. More than $ 684. Every festival, girls 'women tie the silver bubble tight -fitting corset and dance singing competition, silver is flickering, dazzling, and different style. Aquarians' embroidered waist to break the black and blue tone of the aquarium clothing means very significant .
The unity of practicality. Age
Moles of minority uniforms are often closely related, with their work and life, therefore, there are also one type of clothing, such as shawls, back pads, back pads So the hands and body that it often goes in, in fact, has become a very important part of the national costume-like it, whether it is the actual or aesthetic jewelry, can be divided into unique Dragon Major blankets. A special symbol, a colorful linen shoulder slope made of Dulong River carpet put on the knee. It is wild, unruly and quaint and primitive. It has the Naxi sheepskin shawl, which is easy to insert Erwa's "practical decorative effect Essence
The cultural analysis of national jewelry in society and folk cultural characteristics.
This Chinese ethnic minorities have basically maintained the national awareness of primitive worship. The descendants of Miao eat, because of the wisdom love cattle, the most typical head jewelry of the Miao family appeared from the grass. Gao Dan proposed the color and beauty symbol of the Miao cow worship of the Miao female silver -horn headdress of the Miao female silver -horn headdress: wearing silver bubbles, silver slices of silver crown, but also connected together, like a huge " The two silvers of the word U ". Every corner of the carving dragon leads to the inward: the trend of the two dragon drama beads. The silver of these two silver horns. It reflects the rich national style and ancient cultural traditions, and the combination of worship totem culture and farming culture.
The ritual is an important social activity many ethnic minorities. Ceremony activities require a large number of props, clothing, especially the most powerful props and substance entities. The special and mysterious clothing reflected in the important role of the shaman ritual of the image often requires a mysterious mask and exaggerated headgear. Folk ritual activities have evolved into a social activity, while the protagonists are young men and women in such social activities. The exchanges and songs of men and women of ethnic minorities began to develop to the token of the other party. The token is often a belt, handkerchief, wallet and other portable jewelry.
This sheepskin shawls of Naxi women are the most exquisite and richest cultural content. The main body of the Naxi women is unusual clothes, lacking decoration, and the most distinctive jewelry as Naxi cultural customs as a back -cooked pads sheepskin shawl. The Naxi people are a country that advocates culture. The main undertaking of culture is men. Men's general family study scriptures. They are large, small, and are mainly borne by women. Become a woman's main accessories, an apron, shawl, and the Naxi women in the sheepskin, with two large circular ornaments, representing the sun and the moon, the seven small shape below, named Qixing. On the one hand, the symbol of the worship of sheepskin frogs, the two large rounds of the eyes of Golden Frog have the symbol of Dongba culture. Naxi women's hard work, wisdom character and virtue.
The national costume
The national culture and national development of images民族的象征双方的配件和区域分析。rnrn 1和象征。服装往往反映了水平的差异在阶级社会中，还有一些特殊的想法？财产。随着社会的发展，阶级Differential, the symbolic meaning of gradually eliminating the accessories of accessories is still very significant.
The example, the traditional Tibetan trim, depends on the ideas, social forms, and traditional production of Tibet Methods and lifestyle, especially the traditional nomadic lifestyle. The nomadic life of the entire family even needs to be transformed into the bead embroidery covered by several generations. . The wrapping of traditional Tibetan national costumes is not only clothing decoration, but also a great property, showing that it is not only beautiful, but also symbolizes luxury and richness. . Each Gaoshan tribe exchange for silver coins, and later married the silver ring, and then from then on the helmet, the legend of the father and son, the heirs who were inherited from generation to generation must increase at least one yin deficiency circle. Silver helmet, therefore, wealth The accumulation is a record, it is a symbol of hard work, frugality, and ability.
This girls are often two, three pounds, and the whole body is shining. On the one hand, the girl is beautiful The excellent, on the other hand, the prosperity of the family. Special accessories in the environment maintain the development of regional characteristics to varying degrees. Even in the same nation, living in different regions have different performances.
Change constitutes a closed natural environment, in the form of various clan service systems. Even if it is hundreds of miles apart, there are different clothes and many silver, but the same shape, pattern, etc. Chicken feathers; scattering the cadre -shaped silver angle, the butterflies on the top. In different regional accessories totem worship and cultural customs. Inspiration in the form of modern clothing/> One of their clothing part of their clothing not only has strong decorative alternative materials, adding it is a wide range of functions, which seems to be very practical, lack of one. On the other hand, they invest in service, ethnic, historical, symbolic love.
The national costumes adding colorful national costumes, becoming the essence of national clothing, the nation of clothing decoration jewelry Clothing is a function. Since the 1960s, the rising hippie style and the national style have been ignited again. In recent years, the enhancement of accessories and clothing style has become more and more prominent. Inlaid with mottled surfaces and old, coral skeletons, silver hidden jewelry, pure natural gemstones, such as materials exuding rich ancient, simple, modern fashion and exotic style. From our colorful national costumes, we should further tap design inspiration to create a new trend line style and new mixed formal national style, and will inherit and carry forward the Chinese national style.
Clothing is the external characteristics of a nation, so the cultural characteristics reflected by the clothing of different ethnic groups are also different. After thousands of years of glorious development, the connotation of Chinese traditional clothing culture is extremely colorful. However, from a macro perspective, the most representative is the three connotations of the "harmonious and unified" culture, "marking prominentness" culture and "diversity" culture.
The harmonious unity culture is the essence of traditional Chinese clothing culture. Throughout the history of the development of clothing in China for thousands of years, harmonious coordination and rules are the true meaning of its culture. Since the birth of Chinese clothing, it has been following the unity of physical heating and aesthetic performance, identification display and symbolic expression, outstanding personality and celebration auspiciousness, to maximize the harmony and coordination of clothing and nature, clothing and society, clothing and people. The beauty of integration and unified imagery is the most precious quality of traditional Chinese clothing culture.
Themark culture is the most basic element of traditional Chinese clothing culture. This element is mainly manifested in people in the long -term production practice and social practice of the grade, inferiority marks, industry occupational labels, behavioral moral signs, and age structure gender in the expression of clothing intentions. From the labeling of the original tribe leader and hunting skills clothing to the official uniforms of the feudal emperor, from the labeling of civilian military officers to the labeling of modern military uniforms and professional clothing, from the ritual system often served in the government system to today's casual clothes, evening dresses, etc. It highlights its prominent cultural connotation. The logo shows that it is not only a "system" (legal system) requirement, but also as a specification of social ethics. This idea of the clothing identification function has been pushed to a very popular culture, and it has also greatly promoted the development of traditional Chinese clothing culture. It can be asserted that without the guarantee of the thousand -year -old social crown service system, the honor of the "crown crown" is impossible.
The diverse culture is another characteristic of traditional Chinese clothing culture. From a vertical perspective, there are large differences in Chinese clothing culture. As far as the trajectory of the "institutional form" evolving in the form of class society in the form of class society in the past three thousand years, Zhou Li and Hanfu are different; the Tang system and the clearing system are also large. Basically, each dynasty has its own clothing system. With its specific etiquette requirements. From the horizontal perspective, due to the large area of China and many ethnic groups, its pursuit of clothing style, taboos of clothing color, technical level of clothing materials, and different time, different locations and places of clothing are In terms of image expression, there are great differences, and sometimes it also reflects great opposition. This diversity reflects not only the rich and colorful Chinese clothing culture, but also the different characteristics of other countries.
Origin: Ethnic clothing is formed in a specific social life and natural environment. It is in line with the living habits and aesthetic consciousness of the nation
Trisement: abstract design, more distinctive, more exaggerated, stronger, and more freedom, as well as freedom.
Diversity and unity refers to the unity of the diversity of Hanfu and the uniform (or style) of Hanfu.